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VHS
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AKA: The
Rats, Rats, Die Rückkehr der Killerratten,
Fieras radiactivas, Les rats attaquent,
Night Eyes, Occhi nella notte, Olhos da
Noite, Os Olhos da Noite, Yön silmät
Directed by: Robert Clouse
Written by: Lonon F. Smith, Charles H. Eglee,
James Herbert (novel)
Produced by: Paul Kahnert, Jeff Schechtman
Cinematography by: René Verzier
Editing by: Ron Wisman
Music by: Anthony Guefen
Special Effects by: Michael Kavanagh, Mark Molin
Cast: Sam Groom, Lisa Langlois, Sara Botsford,
Scatman Crothers
Year: 1982
Country: Canada
Language: English
Color: Color
Runtime: 1 h 27 min |
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So, we open on this obscurity that is very
very loosely based on James Herbert’s novel (it
has rats too) and is not Bruno Mattei’s film, with a lecturer
who is busy chatting about species of rats. He’s keeping the
students’ attention so much that they are passing love notes.
We meet Trudy (Lisa Langlois, "Class of 1984") who’s
trying to get into the neat starched y-fronts of a tutor named
Mr. Harris (Sam Groom, "Deadly Games"). Meanwhile,
there’s a legal problem at the docks as some infested grain used
as bait by rat exterminators has turned up. The gaffer has to
leave it so the officials can burn it the following day. Scatman
Crothers stands near his boss all hunched and grinning. In a
dark corner, a large rat near the grain is savaging a cat!
Crothers is driving in dark tunnels whilst fake rats with big
teeth watch; Scatty is mumbling and acting like an irritated
Uncle Tom/Bill Cosby hybrid. Credits appear: “Based
on James Herbert’s The Rats.” Uh-huh. There’s also
music blasts that sound alarmingly like the score from
"Burial
Ground: The Nights of Terror" (aka: "Zombi 3").
At a student party, one girl leaves baby Caroline in the kitchen
with friends. Next cue huge rats invading the kitchen and
eating the baby. Well, we see the aftermath -- bloody clothes
and bloody streaks on the floor. Her punishment for bad
babysitting is becoming the next victim. Through a shallow
political scene, we find a new subway station. Somewhere else a
puppet bites a student and doctors tell Mr. Harris that the bite
is the size of a Great Dane; however, a dog’s jaw wouldn’t have
the strength to sink so deep. Attacks increase as an old guy is
totally owned by a dozen or so real rats (in close up shots
anyway). Stereotype Crothers has to check the drains due to
reports of rodents. “I
got some shit in my truck that’s gonna kill yo ass!”
he says to the noise of rats in the darkness (apparently he’s a
pest controller). “Ain’t
dis a bitch!” he continues. Some scriptwriters wear
KKK gear in their spare time. Naturally, a rat glove puppet
(seriously) bites him and he’s chased by hoards of dogs dressed
as rats, then vanishes under a landslide of furry bodies. At
least he fared better here than against Jack Nicholson’s axe…
yes, it’s
that Scatman!
Over coffee, Mr. Harris and one of Crothers’ female co-workers
discuss his death and the student’s bite. Is it possible for
large rats to exist and attack a human being? They turn to the
lecturer, who rightfully decides that the steroid corn feed may
have something do with it, making muscle bound wrestling rats
with small genitals. He figures they are using the sewers to
find more food, so it’s time to gas out the sewers. However,
the rodent army escape by chewing their way through various
gratings and grids, and the lecturer gets it next in his
basement. Then a big party of rich people laugh their way
through a scene when the subway opens. Can you guess the
outcome of that?
Remember Trudy? As a subplot, she tries a lot of seductive
tactics to capture Mr. Harris and the usual sex farce mistakes
happen when Harris’ partner sees them together…ho-hum. The rats
are now everywhere -- basements, bowling alleys, a cinema
(showing a Bruce Lee movie). Where there’s darkness there’s a
rat. Harris’ partner and son are at the subway party and Trudy
goes to the cinema. This cinema part is especially well done
(only a treasure in dust due to the rest of the film), as each
row jump and scream due to their legs being torn into. This is
spoiled by over-the-top slow-mo through the window crashes and a
huge obviously rubber rat on a man’s back. Let’s be fair here,
before CGI we had puppets and dogs in rat costumes; it was cheap
and this is not the only film to do it. The cleverly named
Makeup Effects Labs who handle the business wisely keep most of
the action in lesser-lit areas. As we see the rats it is more
hit than miss; there’s brief gore via throat bites and a quick
Romero style nosh down to keep us happy. The standoff with
Harris and family vs. endless rat crowds is very gripping at
times since it occurs in a dark and long subway tunnel.
The Downsides of "Deadly Eyes"? I’ve mentioned Scatman
Crothers’ toe curling performance, and really, the character of
Mr. Harris is as bland as possible. Also, the rat noises are a
cross between cats and Gremlins mixed with the Tasmanian Devil;
more funny than scary. It’s a hard watch truth be told; against
"Willard"
and "Ben,"
this movie really blows! Saying that, you have to see the great
ending that is a set up for a sequel, which never happened and
the cinema scene is well worth a view.

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