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Retribution - VHS - Medusa Pictures |
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Written by Jay Creepy
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Thursday, 19 April 2012 |

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VHS
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AKA:
Diabólico terror absoluto, Die Rückkehr des
Unbegreiflichen, Kötülügün gücü, Kara za
grzechy, La pesadilla maldita, Les forces
du mal, Oneira horis oikto, Retribution -
l'ultimo
Directed by: Guy Magar
Written by: Guy Magar, Lee Wasserman
Produced by: Chris Caputo, Brian Christopher
Cinematography by: Gary Thieltges
Editing by: Guy Magar, Alan L Shefland
Special Effects by: John Eggett
Music by: Alan Howarth
Cast: Dennis Lipscomb, Leslie Wing, Suzanne
Snyder, Hoyt Axton
Year: 1987
Country: USA
Language: English
Color: Color
Runtime: 1 h 47 mins
Distributor: Medusa Pictures |
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WARNING: We watch these films so you can be warned beforehand!
I watched "Retribution" again on VHS since I realised I
had watched it back in the eighties and couldn’t remember a
thing about it. It has been released uncut on a bare bones
German DVD by E-M-S since and is available at a decent price via
Amazon.
Why the warning? Well, I like horror films with an eighties TV
feel, I really do -- when they are done well. I usually like to
be balanced in my reviews but with this late 80’s time capsule I
will struggle.
We’re in California and classic “Booo Booo” electronic sounds
play as a cop car zooms down busy streets full of Halloween
revellers. The title blasts up in a ball of fire. This is
intercut with extras in "Monster Club" style masks told
by the director to stare at the camera. The scene of the crime
is actually George Miller (Dennis Lipscomb) a middle aged man
with glasses and an ugly jumper, who is poised to jump from a
hotel roof. He removes his specs from his sweaty face and
jumps. Firemen, cops and onlookers all scream in slow-mo. He’s
laid on the road all bloody.
We cut to a green swirly mist with a disfigured guy screaming
all blue faced and glowing as paramedics fight to revive George.
The next day George is laid on his hospital bed shaking and
dreaming about a well dressed man being shot in a back alley
which is all green mist and swirling. The dreams progress to
become more violent over time and he discusses them with a
female doctor (Leslie Wing). He refuses to describe the details
of the dreams, choosing instead to explain why he tried to kill
himself. He’s a failed painter who hasn’t sold anything for
five years and also a depressive. He makes good progress though
and is soon released. The only thing is he has a walking stick
and a limp.
He goes to see his friend Angel who is a colourful haired hooker
working in the stereotypical bad side of town. Leather clad
bikers, hustlers, hookers and thugs, they’re all on display like
an old black and white fifties warning to teen girls to stay
home and meet the right kind of boy. Except this is the
eighties so they could have all starred in "Vamp!"
Back at the apartment George is painting late night when
suddenly his paint brush bleeds onto the canvas. He
understandably freaks out, takes tablets, then gets some sleep.
Soon though he’s dressed in a black suit and goes out on the
town to a bar. Asking for a drink, the owner, Sally tells him
only one other person ever ordered that drink. They chat and
off they go for some rambling sex talk at her home (he isn’t
Issac Hayes, trust me). Though he persists, she won’t tell him
about the other guy who used to drink that certain drink.
Moments later the kitchen window explodes as does the fridge.
George is stood there with glowing "Salem’s Lot" eyes,
laughing whilst her kitchen basically turns upside down. “Santa
Maria! Mother of God! Help me!” he says and points at
her. “Not you.” she cries and then tears her stomach
apart with a kitchen knife.
The next day George confides in his doctor about dreams
regarding a bar and a woman -- the same woman who is all over
the newspapers. She believes it’s all part of his guilt trip.
Afterwards he gets on a bus and is guided to a young boy called
Vito Jr. in a part of town he has never been. Vito’s mother
calls him an “asshole” and threatens him with the police.
Is he schizophrenic? Or is he possessed? His next target is
Johnny who owns a slaughterhouse. Johnny ends up in the skin of
a slaughtered pig and under a saw as George does his glowing
eyes “mother of God” part again.
Back to his doctor crying again! My horror soul mate pointed
out how Dennis Lipscomb's crying sounds just like Paul Bearer,
the Undertakers manager in WWF/WWE wrestling. After a quick
rewind and listen we fell about, laughing for a while. Dennis
is seriously over-the-top in some scenes and simply cannot be
taken seriously when he's like this. That is a fact!
At a cemetery he meets Vito Jr. and his mother again and finds
out that the father, Vito Minelli who was born on the same date
as George, died the exact same moment George hit the ground
after being tortured to death. So he is possessed and it’s a
revenge flick to!
Enter Lieutenant Ashley (played by Hoyt Axton the gadget loving
dad in "Gremlins") who personally hounds the doctor and
hunts George.
On the old Medusa home video cover there is a quote from The
Guardian saying: “Clever high tech special effects!” Now
I want to dig out the whole review to see how out of context
that is because did the writer really mean this film? Endless
green eyes, blue faces, superimposed photographs to symbolise
George’s next target (I’m not kidding), green mist and a bit of
blood. Speaking of the effects, the film really loves colors.
It’s like watching the celluloid version of a spilled paint pot
over eighties neon signs! Bright blues, greens and reds! The
music doesn’t help this bad drug-trip either -- it’s like
someone listened to the "Electric Dreams" soundtrack and
rushed their own version on a Fisher Price “My First Synth” Kit.
I suppose the cheese saves the film a bit. Some moments had us
both curling our toes into our feet in embarrassment and bugging
our eyes in disbelief. The worst culprits were George’s
homecoming party and the scenes when he and Angel get stoned in
an art gallery. I recommend the film just to see those moments.
One more thing about the bad side of "Retribution" is
that everyone seems to over act or under act, there simply is no
in-between. Dennis cries and shakes and laughs a lot, the
doctor is bland as are her doctor support cast members. Angel
doesn’t really do much as a character and Hoyt Axton is the same
person who entered a Chinatown junkshop to buy a Mogwai.
If I’m fair since the director worked his ass off writing it and
editing it as well, the last ten minutes or so does lift up when
the doctor confronts George and Vito Minelli together in a
violent scene. To be fair, the VHS cover gives that scene away
a lot.
This review is from the VHS large box so I’m not sure if the
aforementioned DVD release has any extra scenes. I gather that
the extras are quite vanilla though. The VHS (UK release) does
have some memory awakening trailers from the likes of "976
Evil" and "Cameron’s Closet."
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Last Updated ( Thursday, 19 April 2012 )
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