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Fred Vogel’s August Underground - Two Disc Snuff Edition - Toe Tag Pictures |
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Written by Chris Mayo
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Friday, 11 January 2008 |
 |  | Directed by: Fred Vogel Written by: Fred Vogel, Allen Peters Produced by: Fred Vogel Cinematography by: Allen Peters Editing by: Kelly Hutch Special Effects by: Loaded Dice Effects Music by: Kaos FM, Richard J. Donahue Cast: Ann Marie Reveruzzi, John A. Wisniewski, Alexa Iris, Aaron LaBonte, Ben LaBonte, Fred Vogel Year: 2001 Country: USA Language: English Color: Color Runtime: 71 Minutes  Video: NTSC R0 Aspect Ratio: 4:3 Audio: Dolby Digital 2.0 Official Website: Toe Tag Pictures | |  | | Many with the knowledge of Toe Tag Pictures have an “August Underground”
story; and Severed Cinema is no exception. Two or three years ago a
few tapes showed up in the mail. One lone unmarked tape stared me in
the face. What I didn’t realize then was that what I was about to
witness would change my life forever. The tape began with a grainy sequence of a couple guys entering a house. One held the camera as the other (Fred Vogel, “August Underground’s Mordum”)
led him downstairs into the basement: “You are going to love this”.
What was around the corner would become the most depraved and
disturbing sequence in cinematic history. A crying naked woman (Ann
Marie Reveruzzi), gagged with an apple and duct tape was tied to a
chair in the room (a room plastered with blood and pornography). The
unknown woman was caked in blood, missing a nipple and sitting in her
own piss and shit. In the back room her dead boyfriend lay in a
bathtub -- castrated -- his penis discarded in the toilet. The
degradation and misanthropy to follow would prove to be an endurance
test for anyone. 
I sat there in disbelief and watched as these two guys did unspeakable
things. The cameraman (Allen Peters) smeared shit into the hole where
the woman’s nipple once was. The other sadist (Fred Vogel) ate an
apple, taunting the tortured woman as she sat starving in her seat of
feces. I watched while the cameraman laughed maniacally as he crammed
shit back into the victim. In the other room the onscreen killer
focused on dismembering the dead guy’s leg while trying to refrain from
vomiting, with no luck (in a scene that complements the realism of the
sequence). All the while “Property of Absu Films” intermittently
appeared onscreen causing me to ponder further into what I was actually
viewing. This couldn’t be real could it? After all, with “Property of
Absu Films” appearing onscreen, this must mean it isn’t real, but
rather, a very well orchestrated pseudo-snuff film. But if this is the
case, then who in their right mind would willingly showcase himself on
video enacting such debauchery? On the other hand though, if this were
genuine snuff, wouldn’t it be smart to make it seem “staged” by placing
a production companies name strategically throughout the film? All
these thoughts crossed my mind, while the experience truly frightened,
disturbed and sickened me like no other “film” before. I didn’t turn
the film off. I couldn’t resist. I had to see what these sicko’s were
capable of. Jump two or three years in the future and “August Underground” and Toe Tag Pictures
have taken the underground horror community hostage, with a ransom note
by way of a two disc special edition DVD. What Fred Vogel has created
is an indisputable depiction of “horror”. When you watch “August Underground”,
you experience what true horror is. What Vogel and crew have also
created is a brand name you can trust. In Toe Tag Pictures’ short
existence, they have delivered authentic horror entertainment, with the
“AU” films, a driving force toward the success of “Murder-Set-Pieces”
as modern day exploitation with the combination of Nick Palumbo’s
direction and Toe Tag’s effects work and now the forthcoming “The Redsin Tower”.  Even though “August Underground”
was created to represent a serial killer’s home movie, it does follow a
relatively linear structure while taking traditional horror movie
conventions and bashing them in your fucking face. The plot of the
video follows two close friends, not unlike the guys you went to high
school with. Their only divergence from the general public is that
they have a crutch for sadism and slaughter. We live in a society with
serial killers; we just don’t know them. This video intimately follows
the two on their journey for self-gratification, to find their next
victim. Footage of “every day life” is juxtaposed with their
infliction of human torment in a way that could not be more
unsettling. The choice of depicting these two characters as “regular”
guys makes it all the more disturbing and real. When Vogel’s
baby-faced character lashes out on his victims, it’s terrifying. You
see these types of people every day. They could be the murderers
living next door. You just don’t know it yet.
This is as realistic as it gets, but is not completely devoid of
blemishes. The only sequence that had me questioning the film’s
authenticity was with the female hitchhiker. After Vogel’s character
forces her out of the car for a blowjob, he ends the copulation by
beating her to the ground. Whilst on top of her, he continues to pound
her on the ground but the punches come across more like a wrestler’s
staged antics than a real beating. This being the only flaw in the
film, it does not stand out damagingly.  “Fred Vogel’s August Underground”
depicts some of the most derogatory footage ever captured. Abuse and
degradation are taken to new heights of depravity with not only the
footage of the blood and shit covered woman, but also with a couple
prostitutes and two twin brothers (Aaron and Ben Labonte). One of the
twins is murdered in front of the other, while being tortured and
ridiculed of his loss. This is all before his skull faces the same
demise as his brother’s, by the blow of a hammer. Not only does the
film contain its own grade of nihilism, it also plays homage to another
worthy piece of horror cinema. The home invasion sequence in “Henry: Portrait of a Serial Killer” is mentioned in the commentary by Vogel, as being a big inspiration for “August Underground”,
and definitely shows homage in the convenience store invasion sequence
where an unsuspecting couple is forced to sniff each others asses. "August Underground”
is a true testament of what horror should be; nasty, nihilistic, raw
and real. Murder is not an easy subject to stomach, and if “August Underground” makes you feel like a piece of shit as the viewer, then it has accomplished its task of depicting true serial murder.  |  | | THE DVD | VIDEO: 4:3 Full Frame |      | AUDIO: Dolby Digital 2.0 – English |      | | SUPPLEMENTAL MATERIAL: DISC ONE - 3 Audio Commentaries - Trailer - Easter Eggs  DISC TWO - An Introduction by Director Fred Vogel - Hammer to the Head (Documentary) - “August Underground” On Location - “August Underground” Behind the Brutality - “August Underground” Too Real For Comfort (Interviews) - Slideshow - Easter Eggs  Toe Tag Pictures delivers a stellar Two Disc Limited Snuff Edition DVD presentation of “Fred Vogel’s August Underground”.
Disc one begins with a great menu design which has a video of Vogel’s
character in a basement appearing to tell you “to just fucking hit play
already”. This disc contains three commentaries that accompany the
film. The first is a ‘Director Commentary’. Vogel gives an insight
behind the making of the film, the cast, how many of his students from
the Tom Savini institute worked with him on “AU”, and even some
filming mishaps on set (one of which Vogel’s character accidentally
smashes his brothers head through the glass of a cooler in a
convenience store). He even mentions co-writer/cameraman Allen Peters
complete displacement with the film. The next commentary is with Vogel
and former students Ben and Aaron Labonte, who worked on the film as
actors and makeup effects artists. This commentary is interesting, but
usually overlaps information given by Vogel in the first commentary.
However, due to the consistent and repeated use of the phrase “you
know”, this could be used as a popular "August Underground"
drinking game. Each time someone says the phrase “you know” you take a
drink. Play this drinking game and you’ll end up more inebriated than
a Canuck at a Chiller Theatre Halloween after party!!! The next
‘Killer Commentary’ is only included on the Snuff Edition DVD and is
well worth the extra charge. What we get is Vogel’s serial killer
character forcing another captive girl to endure this home video. He
mocks her and beats her, the whole while the sobbing girl begs to go
home. This puts a fresh feel to “August Underground” for
fans who have viewed the film multiple times. Whilst watching the film
with this new sadistic soundtrack it becomes almost surreal, and brings
back the original emotions of seeing such a disturbing film. Rounding
off disc one we get a first-rate trailer for the film as well as two
easter eggs which are not hard to find. As
if the first disc wasn’t enough, disc two brings another abundance of
‘Gruesome Features’. Akin to disc one, disc two contains an even
cooler menu design. This time Vogel’s character has a female (Shelby
Jackson) gagged and tied to a chair ala the beginning scene in “AU”.
He pulls her hair and forces her to tell the viewer to "pick a special
feature". This menu design has to be the best of any I have seen. The
originality and layout is superb. We begin the supplements with an
introduction by director Fred Vogel and continue with the 67 minute
documentary directed by Toe Tag Street Team front man Logan Tallman,
entitled ‘Hammer to the Head: A Closer Look at August Underground’. This documentary is devided into two sections; the first being ‘August Underground
On Location’, which follows Vogel back to the areas in which he
originally shot the film 5 years ago. A highlight of this is an
interview with Vogel’s grandmother, Victoria Jones, who relives being
murdered in the film and her support for Freddy. The second segment is
titled ‘August Underground Behind the Brutality’ and focuses
more on behind the scenes footage of makeup effects work. We also get
some interviews with various people including actor/casting director
John Wisniewski, actor/fx artist Aaron Labonte, actor/fx artist Ben
Labonte, and fx artist Jerami Cruise. This was without a doubt the
best feature on disc two. Moving on we get ‘August Underground
“Too Real for Comfort” An Outsiders Perspective’, which is a massive
102 minute compilation of interviews from various people about their
first experience with Toe Tag Pictures and “August Underground”.
It is cool too hear other people’s experiences with the film. Some of
the participants include Tony Simonelli of Xploited Cinema, Killjoy of Necrophagia, Nick Palumbo of Fright Flix, Art Ettinger and Allana Sleeth of Ultra Violent Magazine,
Jovanka Vuckovic of Rue Morgue and Rob Steinbruegge the Superfan.
Notably, Rob the Superfan’s interview was a great inclusion and is
refreshing to see such intense passion and love for the genre.
Rounding off ‘An Outsiders Perspective’ is a brutal sequence where
Crusty tortures and cuts the throat of Logan Tallman, which is up there
with the nastiness of the Iraqi beheading videos. If this is an
indication of what to expect in “August Underground’s Penance”
then Toe Tag Pictures are on the right track. We finish these
‘Gruesome Features’ with an awesome 12 minute slideshow of behind the
scenes images, with background music by Poppa Pill’s “Murderer Living
next Door” and two must-see easter eggs. "Fred Vogel's August Underground" Two Disc Snuff Edition DVD is a must have for fans of extreme cinema and is the best DVD release of the year. | |                        |
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Last Updated ( Thursday, 01 October 2009 )
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